Padmavati, and the signature luxurious aesthetic of Sanjay Leela Bhansali

In my thoughts, Sooraj Barjatya’s Hum Aapke Hain Kaun and Sanjay Leela Bhansali’s Hum Dil De Chuke Sanamlaunched across the identical time. Maybe it had one thing to do with love blooming in noisy, joint households. In actuality, Bhansali, the Bhuleshwar-born Gujarati boy, was nonetheless an assistant director — on Vidhu Vinod Chopra’s 1942: A Love Story — when younger Barjatya’s […]